Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

HERERO LADIES OF NAMIBIA - AFRICA'S VICTORIAN STYLE FASHIONISTAS!

September 10, 2011 Add Comment

The Herero or Ovaherero - were nomadic herdsman who at the time of European contact, lived in Namibia and Botswana. They comprised several subgroups, which include the Himba, Ovatjimba, Mbanderu or Ovambanderu and the Kwandu. Related groups living in Angola include the Kuvale, Zemba, Hakawona, Tjavikwa, Tjimba and Himba. The Herero are thought to have migrated from East Africa into present day Namibia during from the seventeenth century. At some point they came into contact and conflict with another pastoral people known as Nama - Hottentot or Khoi Khoi.


In Namibia Herero's are mostly found in the central and eastern parts of the country. The Herero can be divided into several sub-groups the biggest of which includes the Tjimba and Ndamuranda groups who live Kaokoland, the Mahereo who are found around Okahandja and the Zeraua who are found in the area around Omaruru. A group called the Mbandero occupy an area in eastern Namibia, around the town of Gobabis, which was formerly known as Hereroland. Until the colonial period the Herero prospered in the central grassland areas, where there was ample grazing for their cattle, but a succession of battles with the northward migrating Nama, and more severely the German colonial troops led to about 75% of the Herero population been exterminated. Estimates are that of the 80 000 Herero in Namibia in 1900 only about 16 000 remained by 1905. During this period large numbers of Herero fled to the safety of Botswana, but since independence some of the early migrants have begun to return to Namibia. The Herero are proud cattle farmers who measure their wealth in cattle, the importance of cattle to these people is even evident in the Herero womens' dresses.




The traditional dress is derived from a Victorian woman's dress, and consists of an enormous crinoline worn over a several petticoats, a horn shaped hat (said to represent the horns of a cow) made from rolled cloth is also worn. Many Herero women dorn the outfits every year on during the traditional Herero festival is held in Okahandja- Maherero day.

According to My Beautiful Namibia Herero women regard the outfits as 'proper dress' for traditional married women. By wearing the long dress, a newly married woman shows her in laws that she is willing to take up the responsibilities of a Herero home and will raise her children to respect their heritage and their father’s family. The long dress is heavy, hard to keep clean and laborious and expensive to make. The outfit has changed over the years to reflect the style of new generations, and sewing it allows women to show their personal skill and creativity. The Herero women’s long dress has become a symbol of Herero tradition for Herero, tourists, scholars and other Namibians. Women are selling dolls wearing exact replicas of the long dress to tourists and crafts organizations. This suggests that they continue to find new ways to express their individual and traditional identities.
Source http://www.my-beautiful-namibia.com/herero-culture.html





More Information: http://www.namibian.org/travel/namibia/population/herero.htm

MAKING AFRICAN POTS

December 04, 2008 Add Comment
The art of African Pottery is rich and diverse
Photo by Brian McMorrow

Pottery has a long history in Africa and is one of the oldest arts. Pots are usually made by women. Though cheap and functional, African pots combine utility with great beauty. The procedure for making pots vary within the different communities that span the continent. The process of pottery making in Africa begins with the mining and preparation of the clay and mixing it with water.


Women Mining Clay
Photos by Prof. Christopher Roy

Temper or inert matter is then added to the clay mixture so as to reduce plasticity and to decrease shrinkage of pottery by replacing clay molecules, which contain water that shrink during drying and firing.

Photos by Prof. Christopher Roy


Temper includes finely chopped straw, dried animal dung pounded into a powder, and the chaff left when rice or millet is winnowed to prepare it for cooking, sand, river pebbles, shards of old pottery which have been reduced to a find powder. Tempers are kneaded into the fresh clay in amounts that vary. Generally, the result is a clay body with thirty to fifty percent temper material.


Photos by Mjengwa


Starting with a mass of clay, most potters work by punching a hole in the center, and pulling the clay apart to give a vessel shape. Some flatten a clay shape over a convex mold and build up a vessel with coils. The potter’s wheel is uncommon in Africa. When they are ready for firing, a few large pots and many small ones are stacked together. Then they are wood fired for about three hours at relatively low temperatures. Some communities use pits and kilns.

Photos by Prof. Christopher Roy


Pre-firing decoration is generally permanent and will survive handling and extensive use of the pot. In contrast, post-firing decoration, such as painting or colored washes, never becomes an integral part of the pot and will eventually wear off the surface.


Photos by Prof. Christopher Roy


Pre-firing decoration is applied at different stages in the drying process, after the completion of the basic shape of the pot and before the firing. Simple decorations include ones incised into the damp clay with a sharp blade or comb-like tool, impressed with a stamp made for example from split seed pods or shells, or rolled with a roulette made from a dried corn cob from which the kernels have been removed. Pre-firing also helps to drive the last molecules of absorbed water between the clay particles.

Here a potter of the Konate family in the village of Ouri in Burkina Faso prepares to fire large jars that will be used for brewing millet beer.
Photos by Prof. Christopher Roy


To pre-fire larger pots, they are turned rim downward on three large stones which keep them off the ground. A small fire is built beneath each pot to complete the drying process. When the pots are sufficiently dry, they are stacked with others for the final firing. The final firing must be begun before the pots have cooled from the pre-firing. If pottery is allowed to cool after the pre-firing, it will re-absorb moisture from the atmosphere and will crack during the final firing. Pre- firing is usually not necessary in the dry savanna where the lack of humidity permits more complete drying of the pottery before firing.


Photos by Prof. Christopher Roy


FIRING IN A KILN

The kiln consists of a low, circular, mud brick wall, with pierced small holes on the base of the which provides air for the firing. Some kilns also have one or more larger holes that permit the addition of fuel during the course of the firing.

A thick layer of fuel is laid over the bottom of the kiln. Then, the dry pottery, interspersed with additional fuel, is piled on top which is then covered with large pieces of broken pottery that helps retain some heat and protect the pottery from direct contact with cool air. The kiln is lit from the bottom.


The duration of African firings is very short when compared to the technically complex and lengthy firings of European, American, and Oriental potters.



Once pottery has been fired its basic shape cannot be altered.
Photos by Prof. Christopher Roy






MORE INFORMATION CLICK THE LINKS BELOW

Text on Pottery Provided by Prof. Christopher Roy Of the University of Iowa
Short Film on African Pottery By Prof. Christopher Roy
African Films By Prof. Christopher Roy

AFRICAN POTTERYFILMS

Pottery village - Mali West Africa


"African Pottery Techniques
"
This DVD includes seven short videos that explain each of the five forming techniques used by potters in Africa. This high-quality video was filmed in Burkina Faso and Ghana, West Africa in 2001-2 by Christopher D. Roy, Professor of art history at the University of Iowa. Click here
DVD Trailer Streaming video trailer

IVORIAN REGGAE STAR ALPHA BLONDY

June 12, 2007 Add Comment
Alpha Blondy the Bob Marley of West Africa


The first son in a family with nine children, Seydou Koné was born in Dimbokro Côte d'Ivoire, 1953. Alpha was raised by his grandmother, and his memories as a child were all filled with happy years. Carrying the first name of his grandfather, his grandmother always joked that Alpha was her "small husband". Growing with his grandmother, Alpha learned the local Dioula culture and norms. One of his memorable lessons as a child was the importance of speaking the truth and not lying, for the consequences of lying were dire.



Alpha with his grandmother and cousin Abou on the left

In 1962, Alpha moved to Odjenné, Ivory Coast, to live with his parents. Whilst attending high school Alpha formed a band. This hobby affected his schooling, however, and Alpha was expelled from school due to poor attendance. His parents then sent him to study English in Monrovia in the neighbouring country of Liberia in 1973. He spent thirteen months there and then moved to the United States of America, with hopes of improving his English, attending university and setting up a full fledged music band. Life as an immigrant in the USA was not easy for Alpha Blondy.

Young Alpha with his friend Fulgence Kassy


In 1976, Alpha Blondy on the ferry boat to Staten Island, New York.

Having landed in the Big Apple, the city of New York, to commence his English studies, Alpha had to work part time to make ends meet. In New York, he met Rastafarians and attended Jamaican music concerts, such as Burning Spear. During this time, Alpha maintained his passion for writing music. He later moved on to Texas, briefly working in poultry slaughter houses. This was not what he had dreamed of when he moved to the United States. He attempted to record music; however, due to financial problems, his album was never released. Already, four years had gone by, and he was still in the United States, without any real tangible result. In 1980, Alpha Blondy decided to return to Ivory Coast. Distinctly lacking in glory, his return was made even more painful by the transformation of his American dream into a nightmare.


On returning to the Ivory Coast, Alpha got in touch with his childhood friend, Fulgence Kassi, who had become a famous television producer. This was the beginning of his real career as a singer, a transition marked by him changing his name to 'Alpha Blondy'. He had always been a rebellious child, and, for this, his grandmother had nick named him "Blondy," her unique pronunciation of the word "bandit." He later took on the name Alpha (the first letter in the Greek alphabet) so his name literally translates to "first bandit."


After various TV shows for Kassi, in the early '80s, he recorded his first single, Brigidier Sabari. Blondy recorded his first solo album in 1983, entitled 'Jah Glory'. However, by the time of the album's release, he was not able to share the joy with his cherished grandmother; she had passed away. This album was to have enormous success and would become later a symbol of resistance, because of the song 'Brigadier Sabari', where Alpha criticized the harassment of the police. Alpha Blondy became a big star in Abidjan, with his own African twist of Reggae music, becoming, in the eyes of his fans, 'the Bob Marley of West Africa'. Having found success with his music in Europe, Alpha went to Paris in 1984, to make his second album, 'Cocody Rock'.


Blondy sings in Dioula, English, French, Arabic, and Hebrew. His band, The Solar System, is likewise international, with members hailing from Cameroon, England, France, Ivory Coast, Jamaica, and Togo.

Alpha has had a rich musical career that has seen him release more than fifteen albums. With his group, Alpha's musical artistry has been heard world wide, spreading their African rhythms far and wide.

Ivorian reggae star and UNOCI's Messenger of Peace, Alpha Blondy (with microphone and in dark jacket) and Charles Blegoude, leader of the Young Patriots (right of Alpha Blondy with a cap), along with other youth leaders call for calm and denounce violence on the eve of UN Security Council resolutions concerning the stalled peace process in Côte d'Ivoire. Picture taken in Abidjan, Côte d'Ivoire, 30 October 2006.


Alpha has also been hailed as a world star because of his fight for peace and unity all around the world. "Jah Blondy", as his friends call him, has been a UN goodwill ambassador because of his actions in favor of peace and justice. He has also participated in many humanitarian and charity concerts, such as the concert in Senegal in March, 2006, for the eradication of Malaria in Africa.


Alpha Blondy is one of Africa's most famous reggae musicians. One of Alpha's ardent fans once noted that Alpha Blondy's albums are like hidden treasures. Once you discover them, you'll wonder how you ever survived without them. A pleasant surprise for new listeners, and a must for any true reggae fans, Alpha Blondy is one of the great inspirational song writers and singers in the evolving world of reggae music.



WATCH ALPHA BLONDY MUSIC VIDEOS
Cocody Rock
Jerusalem
Massada
Brigadier Sabari
Souroukou Logo
Who Are You


MORE INFORMATION
Alpha Blondy Official Site (French)
Alpha Blondy Myspace

NUER

May 12, 2007 Add Comment

Numbering approximately one million, the Nuer are the second largest group (second to the Dinka) in south Sudan. The Nuer live mostly in Southern Sudan, in the east Upper Nile Province around the Nile River, the Bahr el Ghazal and Sobat Rivers, and extending up the Sobat across the Ethiopian border. Oral traditions indicate that the Nuer moved east of the Nile River over the past 200 years.The Nuer are tall and very dark people who are reported to be related to the Dinka, as their cultures are very similar. The Nuer call themselves Naath, meaning "human beings." The Nuer land temperatures year round is between about 27-45C. Because there is no industry in southern Sudan and no cars, the air is clean and clear, and smells sweet.

Drinking fresh milk straight from the source

A people whose material culture is as simple as that of the Nuer are highly dependent on their environment. The Nuer are cattle herders, whose complete way of life revolves around their livestock. Cattle provide companionship, food, social and economic security, and a cultural identity. The Nuer refer to their cattle according to the coloring and spotting patterns of their coats. There are twelve separate words for the unique pattern groupings commonly referred to. Cattle are owned by the family, herded by men and milked by women, but under the control of the head of the household. Most conflicts involve cattle. Fines for offenses are assessed in cattle. Cattle are also used for payment of debts and as bride prices (dowry) in marriage. Nuer will risk their life to defend them or to raid and pillage his neighbor’s cattle. Prestige and wealth is measured by the quantity and quality of the cattle a man owns. Men and women take the names of their favorite cattle and prefer to be greeted by their cattle names. While they do engage in agricultural pursuits, as grains and vegetables supplement their diet, the care of cattle is the only labor they enjoy. It is said that conversation on virtually any subject will inevitably involve a discussion of cattle.

'A tassle-horned song bull'
Young bulls, particularly those with well patterned coats, are often selected at an early age to be 'song bulls'. They are usually castrated (so they are really 'song bullocks'), and their horns are pared away just above the base so that the left one grows forwards, and the right one grows backwards. When they get older, a tassle is hung through holes in the tips of its horns for decoration. Song bulls are highly valued and very well treated. Their owners groom them, sing songs to them, and develop a close and special relationship with them. 'Horn surgery', as the shaping of cow horns is known, is recorded in the hieroglyphics of ancient Egypt, so has obviously been practiced along the Nile for thousands of years.

Nile perch is also an essential part of their diet, especially during the dry spells. None of the food commodities are produced for market purposes. Cattle are not primarily raised for meat, but for their blood and milk. Meat is eaten at important celebrations when an animal is sacrificed. There is one rainy season each year, between May and September, during which time people live in permanent villages. For the rest of the year, most members of the family move with the animals following the new grass, which grows on the receding water meadows. The need to find water and grazing for their animals governs life for the Nuer. Cattle need to be watered every 1-2 days, sheep and goats every 1-4 days.

Fishing

Young Nuer Girl grinding sorghum for food

The Nuer are organized into sub-divisions of clan lineages descended through the male line from a single ancestor. The lineages are a major structural factor for political order. These lineages are significant in the control and distribution of resources, and tend to coalesce with the territorial sections. Marriages must be outside one's own clan, and are made legal by the payment of cattle by the man's clan to the woman's clan, shared among various persons in the clan. The territorial groupings and lineage groupings are more closely aligned for some purposes than for others.

There is no overall political authority in the tribal structure. Political activity involves various grouping or separation of the many territorial and clan sections. Nuer society is patrilineal; all rights, privileges, obligations and relationships are regulated through kinsmen.

Nuer Children

Urine is sterile and antiseptic. In a country with no easily accessible sterile water, and little firewood to use for boiling water, cow urine is used for washing and is sometimes mixed with milk for drinking.

The Nuer living pattern changes according to the seasons of the year. The Nuer determine their calendar based on current activity and weather conditions. The fishing season begins in December and lasts until the season of rain (spring) begins. Next comes the plantation season (summer), followed by the season of winds (autumn). As the rivers flood, the people have to move farther back from the river onto higher ground, where the women cultivate millet and maize while the men herd the cattle nearby. In the dry season, the younger men take the cattle herds closer to the receding rivers. The Nuer practice astronomy by watching the stars, and have their own names for various stars and constellations. The evening star, for example, is called “Lipai chiing.” To the Nuer, it looks like a girl in a village waiting for the moon to rise, and the name means “waiting in the village for the moon.”

Roofing a barn

Plastering a barn

Nuer woman plastering a hut

Nuer build only temporary houses or shelters. Houses in wet-season settlements have circular mud walls over stick frames with thatched roofs. As grain is harvested, it is dried on temporary scaffolds. In dry-season camps, men sleep with the cattle in shelters made from local grasses. Women may remain in or near the wet season areas when the men follow the receding waters toward the lower areas. Extended family groups live around communal cattle camps.

Marriage dance

Marriage is one of the most important Nuer traditions, and is arranged by the families of the bride and groom. Divorce among the Nuer is not unheard of; it is usually caused by a lack of children. If a woman does not produce children, a man can demand the return of the cattle he paid for the marriage and can send the woman back to her own village. Marriage takes place in stages, however. A marriage is not finalized until the bride has given birth to at least two children. When a third child is born, the marriage is considered "tied." At this point, the wife and the children become full members of the husband's clan. Women desire to have six children. A man may have multiple wives, who do not necessarily live close to each other. But they will all live in the area of the husband's clan.

Nuer Leopard skin chief

The Nuer are an excitable people, and individuals are very independent and prone to take offense. A casual slight may lead to a quarrel or fight. When violence or the threat of violence erupts, age-mates or family leaders are called on to cool things off. In dire circumstances, a special group called the leopard-skin chiefs are invoked. These special individuals have no formal political authority, but are honored for their moral and spiritual authority. The chiefs may even offer sanctuary to murderers. They can then moderate negotiations for compensation, the only alternative to violent clan feuds.

Tribal markings using razor incisions

The Nuer, like the Dinka, wear little or no clothing, especially the men. Women will more commonly wear a brief skirt of cloth or skin. Women wear wire and bead necklaces and headdresses. Young men are initiated by circumcision and six cuts across the forehead. A man is named by the coloring of his ritual bull, given him at initiation. He composes songs of affection and praise to that bull.

Animal sacrifice

A woman praising God after the sacrifice

Cattle play an important part in Nuer religion and rituals. Cows are dedicated to the ghosts of the owner's lineages and any personal spirits that may have possessed them at any time. The Nuer believe they establish contact with these ancestor ghosts and spirits by rubbing ashes along the backs of oxen or cows dedicated to them, through the sacrifice of cattle. No important Nuer ceremony of any kind is complete without such a sacrifice.

The Nuer have a traditional religious world view usually called "animistic," but they worship a supreme being called 'Kowth,' who has various manifestations, with which some claim to have personal relationships. The Nuer pray for health and well-being, offering sacrifices to Kowth so he will answer their petitions. There is no organized religious hierarchy or system, but many individuals serve as diviners and healers.

Nuer Worship center

They do not believe in a place of afterlife for the spirit, and their religious concepts deal with concerns of this life. They do believe the spirits of the dead can affect their current life. The more recently deceased, the more influence they have. The Nuer honor and appease the spirits of their ancestors. Cattle are sacrificed to God and the spirits.

School boys with missionary teacher

There have been attempts to evangelize and convert the Nuer to Christianity. There are a number of churches in southern Sudan. The Nuer New Testament was completed in 1968, and the Old Testament is in progress. However, a majority of the Nuer remain animist, and only nominal Christians.


INTERESTING NUER TRIVIA
The light is fading, the dung fires have been lit, and the cows will soon return from their day's grazing.
  • In the morning, all the cow dung is collected and dried; in the evening, the dried dung is lit to make smoky fires. The smoke drives away biting insects and allows the cattle to get some rest. The ash from the fires also repels insects; cows can be seen flicking it over themselves, dogs sleep in it, and people, particularly children, powder themselves with it. The smoke and smell of cow dung fires is a characteristic part of life in southern Sudan.
  • Cattle are given much greater care and attention and will live beyond 15 years if war or famine do not interfere. There is a great bond between people and cattle, and young men in particular will spend much time caring for their favorites, including singing to them.

MORE INFORMATION
Listen to Nuer Music by Nuer Singer Koang Duoth

Watch an intriguing 15 minute film on the Nuer

Information and Photos Indiana University
Nuer profile By Strategy Leader
The Dinka and Nuer Agro Pastoralists of Southern Sudan
Nuer Sudan 101
Nuer Time and Space
The Nuer: A Description of the Modes of Livelihood and Political Institutions of a Nilotic People E. E. Evans Pritchard